I'm interested in how both the man-made and the organic can meld together in this piece. I am aiming to portray the beauty achieved through geometric simplicity in 'Afternoon Shadows' - the way shadows are cast, yet only in certain areas. I want the viewer to feel like they need to look closely to notice all is not as it first may seem. Pillars stop abruptly, levitating just off the ground and trees seem to float without casting any shadows at all.
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