The technique used for the series that this drawing is a part of emerged out of a time when I was experimenting with various techniques of how to present my work. I wanted to frame my drawings without the traditional Passe Partout, so I learned how to monoprint solid layers of ink to use as backdrops for my drawings. I had a lot of these monoprinted papers left over, so I took them along with some oil pastels that I had since I was six years old to a poetry evening, to see what sort of drawings would emerge out of these materials and the social atmosphere.
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